EARTHWORKS MICROPHONES |
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SR SERIES CARDIOID MICROPHONES |
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SR40 |
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Features of
the Earthworks SR40:
Earthworks SR40 is a high definition condenser microphone with an exceptional cardioid pickup pattern. The SR40 requires a standard 48V phantom power supply. It features an extended high frequency response from 30 Hz to 40kHz, extremely fast impulse response, short diaphragm settling time, uniform polar pattern and high SPL handling capabilities. It provides excellent uncolored rejection of sounds arriving off-axis. |
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SR30 |
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Features of
the Earthworks SR30:
Earthworks SR30 is a directional prepolarized condenser microphone with a first-order cardioid pickup pattern directly coupled to a dedicated wideband, low output impedance transformerless preamplifier. The SR30 requires a standard 48V phantom power supply. It features a flat frequency response from 30Hz to 30kHz, fast impulse response, very low handling noise, uniform polar pattern, and high SPL handling capabilities. It provides excellent uncolored rejection of sounds arriving off-axis. |
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SR30HC |
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Features of
the Earthworks SR30/HC:
Earthworks SR30HC is a directional prepolarized condenser microphone with a first-order hypercardioid pickup pattern directly coupled to a dedicated wideband, low output impedance transformerless preamplifier. The SR30HC requires a standard 48V phantom power supply. It features a flat frequency response from 30Hz to 30kHz, fast impulse response, very low handling noise, uniform polar pattern, and high SPL handling capabilities. It provides excellent uncolored rejection of sounds arriving off-axis. |
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SR25 |
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Features of
the Earthworks SR25:
Earthworks SR25 is a directional prepolarized condenser microphone with a first-order cardioid pickup pattern directly coupled to a dedicated wideband, low output impedance transformerless preamplifier. The SR25 requires a standard 48V phantom power supply. It features a flat frequency response from 50Hz to 25kHz, fast impulse response, very low handling noise, uniform polar pattern, and high SPL handling capabilities. It provides excellent uncolored rejection of sounds arriving off-axis. |
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SR20 |
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Features of
the Earthworks SR20:
Earthworks SR20 is a directional prepolarized condenser microphone with a first-order cardioid pickup pattern directly coupled to a dedicated wideband, low output impedance transformerless preamplifier. The SR20 requires a standard 48V phantom power supply. It features a flat frequency response from 50Hz to 20kHz, fast impulse response, very low handling noise, uniform polar pattern, and high SPL handling capabilities. It provides excellent uncolored rejection of sounds arriving off-axis. |
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QTC SERIES OMNI MICROPHONES |
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QTC50 |
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Features of
the Earthworks QTC50:
Earthworks QTC50 is an omnidirectional (pressure) prepolarized condenser microphone directly coupled to a dedicated wideband, low output impedance preamplifier. The QTC50 requires a standard 48V phantom power supply. It features an extended linear free-field frequency response from 3Hz to 50kHz, extremely fast impulse response, low self-noise, very low handling noise, uniform polar pattern, and high SPL handling capabilities. It exhibits no proximity effect. |
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QTC40 |
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Features of
the Earthworks QTC40:
Earthworks QTC40 is an omnidirectional (pressure) prepolarized condenser microphone directly coupled to a dedicated wideband, low output impedance preamplifier. The QTC40 requires a standard 48V phantom power supply. It features an extended linear free-field frequency response from 4Hz to 40kHz, extremely fast impulse response, low self-noise, very low handling noise, uniform polar pattern, and high SPL handling capabilities. It exhibits no proximity effect. |
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QTC30 |
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Features of
the Earthworks QTC30:
Earthworks QTC30 is an omnidirectional (pressure) prepolarized condenser microphone directly coupled to a dedicated wideband, low output impedance preamplifier. The QTC30 requires a standard 48V phantom power supply. It features an extended linear free-field frequency response from 6Hz to 30kHz, extremely fast impulse response, low self-noise, very low handling noise, uniform polar pattern, and high SPL handling capabilities. It exhibits no proximity effect. |
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TC SERIES OMNI MICROPHONES |
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TC30 |
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Features of
the Earthworks TC30:
Earthworks TC30 is an omnidirectional (pressure) prepolarized condenser microphone directly coupled to a dedicated wideband, low output impedance preamplifier. The TC30 requires a standard 48V phantom power supply. It features a linear free-field frequency response from 9Hz to 30kHz, fast impulse response, very low handling noise, uni-form polar pattern, and very high SPL handling capabilities. It exhibits no proximity effect. |
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TC25 |
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Features of
the Earthworks TC25:
Earthworks TC25 is an omnidirectional (pressure) prepolarized condenser microphone directly coupled to a dedicated wideband, low output impedance preamplifier. The TC25 requires a standard 48V phantom power supply. It features a linear free-field frequency response from 9Hz to 25kHz, fast impulse response, very low handling noise, uni-form polar pattern, and very high SPL handling capabilities. It exhibits no proximity effect. |
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TC20 |
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Features of
the Earthworks TC20:
Earthworks TC20 is an omnidirectional (pressure) prepolarized condenser microphone directly coupled to a dedicated wideband, low output impedance preamplifier. The TC20 requires a standard 48V phantom power supply. It features a linear free-field frequency response from 10Hz to 20kHz, fast impulse response, very low handling noise, uni-form polar pattern, and very high SPL handling capabilities. It exhibits no proximity effect. |
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PERISCOPE SERIES CARDIOID MICROPHONES |
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P30C |
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Features of
the Earthworks P30/C:
Earthworks P30/C is a directional prepolarized condenser High Definition Microphone with a first-order cardioid pickup pattern directly coupled to a dedicated wideband, low output impedance transformerless preamplifier. The P30/C requires a standard 48V phantom power supply. It features a flat frequency response from 30Hz to 30kHz, fast impulse response, very low handling noise, uniform polar pattern, and high SPL handling capabilities. It provides excellent uncolored rejection of sounds arriving off-axis. |
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P30HC |
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Features of
the Earthworks P30/HC:
Earthworks P30/HC is a directional prepolarized condenser High Definition Microphone with a first-order hypercardioid pickup pattern directly coupled to a dedicated wideband, low output impedance transformerless preamplifier. The P30/HC requires a standard 48V phantom power supply. It features a flat frequency response from 30Hz to 30kHz, fast impulse response, very low handling noise, uniform polar pattern, and high SPL handling capabilities. It provides uncolored rejection of sounds arriving off-axis. |
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CHOIRMIC SERIES HANGING MICROPHONES |
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C30C |
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Features of
the Earthworks C30/C:
Choir microphones have always presented a unique design and installation challenge – the traditional solution is to use an angle guide on the microphone’s lead to aim towards the performance venue. The problem with this approach is that either a very minimal microphone had to be used to keep aimable weight within practical limits – or locate the microphone’s electronics at some considerable distance from the element – inviting losses, noise, etc. Earthwork Audio’s ChoirMics overcome these issues by locating the element on a short flexible extension from the microphone’s body – resulting in excellent response and extremely low noise – while retaining the ability to aim the element at the precise point desired. The standard cardioid pattern provides satisfactory coverage and feedback resistance for most installations; however the hypercardioid pattern is available for those installations where a tighter pickup pattern is desired for better isolating performers, or in those installations where particularly aggressive stage monitors would otherwise present a problem. |
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C30HC |
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Features of
the Earthworks C30/HC:
Choir microphones have always presented a unique design and installation challenge – the traditional solution is to use an angle guide on the microphone’s lead to aim towards the performance venue. The problem with this approach is that either a very minimal microphone had to be used to keep aimable weight within practical limits – or locate the microphone’s electronics at some considerable distance from the element – inviting losses, noise, etc. Earthwork Audio’s ChoirMics overcome these issues by locating the element on a short flexible extension from the microphone’s body – resulting in excellent response and extremely low noise – while retaining the ability to aim the element at the precise point desired. The standard cardioid pattern provides satisfactory coverage and feedback resistance for most installations; however the hypercardioid pattern is available for those installations where a tighter pickup pattern is desired for better isolating performers, or in those installations where particularly aggressive stage monitors would otherwise present a problem. |
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FLEXWAND SERIES FLEXIBLE STICK MICROPHONES |
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FW730 |
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Features of
the Earthworks FW730:
The FlexWand is a totally new concept in microphones. It is a combination of a High Definition Microphone and a low profile microphone stand and boom as a single unit. It allows the microphone head to be positioned as high as 7 feet and as low as 1.5 feet from the floor or anywhere in between. Best of all there are no visible wires or cables above floor level. Visually it is low profile, smooth, sleek and clean. The FlexWand is the ideal solution for applications where the utmost in sound quality and a low profile is required. |
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FW730HC |
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Features of
the Earthworks FW730/HC:
The FlexWand is a totally new concept in microphones. It is a combination of a High Definition Microphone and a low profile microphone stand and boom as a single unit. It allows the microphone head to be positioned as high as 7 feet and as low as 1.5 feet from the floor or anywhere in between. Best of all there are no visible wires or cables above floor level. Visually it is low profile, smooth, sleek and clean. The FlexWand is the ideal solution for applications where the utmost in sound quality and a low profile is required. |
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FLEXMIC SERIES PODIUM MICROPHONES |
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FM720 |
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Features of
the Earthworks FM720:
Earthworks Flex Microphones are a dramatic improvement over other gooseneck microphones. Their clean, natural on-axis pickup, and smooth, uncolored off-axis rejection make them superb for a wide range of applications including sound reinforcement, broadcast, and recording of voice and musical instruments. In all of these applications, you will hear the exceptional Earthworks microphone sound quality that has made us famous (i.e. an extremely accurate and open sound that is crystal clear). FlexMics are user friendly and provide excellent gain before feedback, because there are no severe off-axis peaks or dips in their response. |
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FM720HC |
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Features of
the Earthworks FM720/HC:
Earthworks Flex Microphones are a dramatic improvement over other gooseneck microphones. Their clean, natural on-axis pickup, and smooth, uncolored off-axis rejection make them superb for a wide range of applications including sound reinforcement, broadcast, and recording of voice and musical instruments. In all of these applications, you will hear the exceptional Earthworks microphone sound quality that has made us famous (i.e. an extremely accurate and open sound that is crystal clear). FlexMics are user friendly and provide excellent gain before feedback, because there are no severe off-axis peaks or dips in their response. |
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FM500 |
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Features of
the Earthworks FM500:
Earthworks Flex Microphones are a dramatic improvement over other gooseneck microphones. Their clean, natural on-axis pickup, and smooth, uncolored off-axis rejection make them superb for a wide range of applications including sound reinforcement, broadcast, and recording of voice and musical instruments. In all of these applications, you will hear the exceptional Earthworks microphone sound quality that has made us famous (i.e. an extremely accurate and open sound that is crystal clear). FlexMics are user friendly and provide excellent gain before feedback, because there are no severe off-axis peaks or dips in their response. |
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FM500HC |
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Features of
the Earthworks FM500/HC:
Earthworks Flex Microphones are a dramatic improvement over other gooseneck microphones. Their clean, natural on-axis pickup, and smooth, uncolored off-axis rejection make them superb for a wide range of applications including sound reinforcement, broadcast, and recording of voice and musical instruments. In all of these applications, you will hear the exceptional Earthworks microphone sound quality that has made us famous (i.e. an extremely accurate and open sound that is crystal clear). FlexMics are user friendly and provide excellent gain before feedback, because there are no severe off-axis peaks or dips in their response. |
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FM360 |
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Features of
the Earthworks FM360:
Earthworks Flex Microphones are a dramatic improvement over other gooseneck microphones. Their clean, natural on-axis pickup, and smooth, uncolored off-axis rejection make them superb for a wide range of applications including sound reinforcement, broadcast, and recording of voice and musical instruments. In all of these applications, you will hear the exceptional Earthworks microphone sound quality that has made us famous (i.e. an extremely accurate and open sound that is crystal clear). FlexMics are user friendly and provide excellent gain before feedback, because there are no severe off-axis peaks or dips in their response. |
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FM360HC |
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Features of
the Earthworks FM360/HC:
Earthworks Flex Microphones are a dramatic improvement over other gooseneck microphones. Their clean, natural on-axis pickup, and smooth, uncolored off-axis rejection make them superb for a wide range of applications including sound reinforcement, broadcast, and recording of voice and musical instruments. In all of these applications, you will hear the exceptional Earthworks microphone sound quality that has made us famous (i.e. an extremely accurate and open sound that is crystal clear). FlexMics are user friendly and provide excellent gain before feedback, because there are no severe off-axis peaks or dips in their response. |
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M SERIES MEASUREMENT MICROPHONES |
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M50 |
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Features of
the Earthworks M50:
Earthworks M50 is an omnidirectional (pressure) microphone designed and calibrated for measurement purposes. It is a prepolarized condenser microphone directly coupled to a wideband, low output impedance preamplifier. The M50 requires a standard 48V phantom power supply. It features an extended linear free-fi eld frequency response from 3Hz to 50kHz (please see the enclosed individual calibration chart), very low handling noise, uniform polar pattern, and high SPL handling capabilities. Its unique circuitry excludes the transconductance of the input FET from the overall gain structure. This means the sensitivity remains very stable when the microphone is subjected to variations in ambient temperature. The M50 meets or exceeds ANSI Type 1 requirements. |
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M30BX |
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Features of
the Earthworks M30BX:
Earthworks M30BX is an omnidirectional (pressure) microphone designed and calibrated for measurement purposes. It is a prepolarized condenser microphone directly coupled to a wideband, low output impedance preamplifier. The M30BX requires a single type P28L (Lithium) or 4LR44 or equivalent 6V battery as a power source. It features a linear free-field frequency response from 9Hz to 30kHz (please see the enclosed individual calibration chart), very low handling noise, uniform polar pattern, and has 6dB of extra gain available. Its unique circuitry excludes the transconductance of the input FET from the overall gain structure. This means the sensitivity remains very stable when the microphone is subjected to variations in ambient temperature. The M30BX meets or exceeds ANSI Type 1 requirements. |
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M30 |
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Features of
the Earthworks M30:
Earthworks M30 is an omnidirectional (pressure) microphone designed and calibrated for measurement purposes. It is a prepolarized condenser microphone directly coupled to a wideband, low output impedance preamplifi er. The M30 requires a standard 48V phantom power supply. It features a linear free-fi eld frequency response from 5Hz to 30kHz (please see the enclosed individual calibration chart), very low handling noise, uniform polar pattern, and very high SPL handling capabilities. Its unique circuitry excludes the transconductance of the input FET from the overall gain structure. This means the sensitivity remains very stable when the microphone is subjected to variations in ambient temperature. The M30 meets or exceeds ANSI Type 1 requirements. |
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M23 |
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Features of
the Earthworks M23:
Earthworks M23 is an omnidirectional (pressure) microphone designed and calibrated for measurement purposes. It is a prepolarized condenser microphone directly coupled to a wideband, low output impedance preamplifi er. The M23 requires a standard 48V phantom power supply. It features a linear free-fi eld frequency response from 9Hz to 23kHz (please see the enclosed individual calibration chart), very low handling noise, uniform polar pattern, and very high SPL handling capabilities. Its unique circuitry excludes the transconductance of the input FET from the overall gain structure. This means the sensitivity remains very stable when the microphone is subjected to variations in ambient temperature. The M23 meets or exceeds ANSI Type 1 requirements. |
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PIANOMIC SYSTEM |
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PM40 |
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Features of
the Earthworks PM40:
The innovative PianoMic System incorporates all of the Earthworks High Definition Microphone proprietary technologies and some new ones. The PianoMic System is time coherent and provides extended frequency response to 40kHz, incredible impulse response, very short diaphragm settling time, near-perfect polar response, high SPL handling, low distortion electronics and more. The PianoMic System is unlike any other microphone ever used on a piano. The specially designed telescoping bar spans across the piano over the strings and is supported at the ends by the piano case. The PianoMic System uses time coherent, omnidirectional microphones with no proximity effect (i.e. the low frequency response will remain the same no matter what the microphone distance is from the piano strings). The microphones are designed for random-incidence response to obtain optimum sonic results from the sound field inside of the piano. The PianoMic System has also been designed to provide incredible sound with the piano lid either up or down. There is more air in the sound with the lid up and with the lid down the sound is more condensed, which is desirable for a number of applications such as playing or recording pop music, or when you want the piano to stand out more in a mix. A tremendous amount of gain before feedback is obtained via the proximity of the PianoMic System microphones to the strings and also because of the near-perfect polar response of the microphones. Leakage from the sounds of instruments surrounding the piano is insignificant. |
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HIGH DEFINITION DRUM MICROPHONES & KITS |
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DK50R |
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Features of
the Earthworks DK50/R:
The Earthworks DK50/R Premium DrumKit System features a matched pair of QTC50s for overheads (with response from 3Hz to 50kHz), an SR30 for kick drum and a KickPad. Also included is a stainless steel windscreen so you can use the SR30 as an impressive vocal microphonje, three foam windscreens (one for each microphone) and three LevelPads (switchable to -15dB or -30dB attenuation). The DK50/R Premium DrumKit System comes housed in a geniune Zero/Halliburton carrying case. |
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DK25R |
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Features of
the Earthworks DK25/R:
The DK25/R is for “Recording” and has two TC25 omnis for overheads, an SR25 cardioid for kick drum, a KickPad and a windscreen. This model is ideal for use in an enclosed acoustic environment or a drum room/booth. For live performance or “multi-miked” drums using four or more mics in a studio application, the DK25/L is recommended. |
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DK25L |
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Features of
the Earthworks DK25/L:
The DK25/L is for “Live Performance” and has three SR25s: two for overheads and one for kick drum, a KickPad and a windscreen.The patented cardioid pattern on the SR25 provides a more uniform off-axis response and has less susceptibility to acoustic feedback. The DK25/L is also ideal for use with multi-miked drums (four or more mics) in either live or studio applications. In such cases it is recommended that two SR25s are used for overheads. |
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CMK4 |
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Features of
the Earthworks CMK4:
The CMK4 CloseMic Kit has (1) DP25/C snare microphone, (3) DP30/C tom microphones,(4) RM1 RimMounts, (4) LevePads, windscreens and a high impact case. This kit is for drum sets that ultilize one snare, two mounted toms and one floor tom. |
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CMK5 |
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Features of
the Earthworks CMK5:
The CMK5 CloseMic Kit has (1) DP25/C snare microphone, (4) DP30/C tom microphones,(5) RM1 RimMounts, (5) LevePads, windscreens and a high impact case. This kit is for drum sets that ultilize one snare, two mounted toms and two floor toms. |
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DFK1 |
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Features of
the Earthworks DFK1:
The Drum FullKit System has (1) DP25/C snare microphone, (4) DP30/C tom microphones, (5) RM1 RimMounts, (9) LevelPads, windscreens to mike one snare, two mounted toms and two floor toms. It also includes 2 SR25s for overheads, 1 SR30 for hi-hat, 1 SR30 for kick drum and a KickPad. There are foam windscreens for each microphone and 2 SRW2 Stainless Steel vocal windscreens if on occasion you would like to use the 2 SR30s for vocal microphones. The Drum FullKit System comes housed in two attractive high-impact road cases. |
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DP25C |
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Features of
the Earthworks DP25/C:
The DP25/C is an Earthworks High Definition Microphone that has been designed for use with snare drums. Its incredibly fast impulse response will allow it to capture the full detail of the attack, while its short diaphragm settling time will allow you to hear subtle details that you cannot hear using conventional microphones. The DP25/C will handle sound levels up to 145dB SPL with no audible distortion and its heavy construction will enable it to withstand the punishment of the road. For those using Drum Periscope mics for toms and snare, the DP25/C has a gold logo ring for quick identification as a snare mic. This exceptional snare microphone will provide unparalleled sound quality and years of reliable sevice. |
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SMC1 |
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Features of
the Earthworks SMC1:
The SMC1 kit includes 1 DP25/C SnareMic, 1 RM1 RimMount accessory, 1 LP1530 LevelPad and a foam windscreen. The kit comes housed in a rugged plastic box with custom foam insert. |
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DP30C |
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Features of
the Earthworks DP30C:
The DP30/C is an Earthworks High Definition Microphone that has been designed for use with toms. Its incredibly fast impulse response will allow it to capture the full detail of the attack, while its short diaphragm settling time will allow you to hear a full bodied sound with subtle details that you cannot hear using conventional microphones. The DP30/C will handle sound levels up to 145dB SPL with no audible distortion and its heavy construction will enable it to withstand the punishment of the road. For those using Drum Periscope mics for toms and snare, the DP30/C has a blue logo ring for quick identification as a tom mic. This exceptional tom microphone will provide unparalleled sound quality and years of reliable service. |
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TMC1 |
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Features of
the Earthworks TMC1:
The TMC1 kit includes 1 DP30/C TomMic, 1 RM1 RimMount accessory, 1 LP1530 LevelPad and a foam windscreen. The kit comes housed in a rugged plastic box with custom foam insert. |
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ACCESSORIES |
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