Headphone Monitoring Systems
HR-2 | HA-6AB | SP-20AB | HDS-6 | HR-6 | HDS-16 | HRM-16

Features of the Furman HR-2:
• Headphone Remote Station • Great for studio & in-ear monitors • Accepts mic cable from HA-6AB or SP-20AB output & allows chaining to dozens of other units • Level controls and jacks for 2 pairs of headphones

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Features of the Furman HA-6AB:
• Powers headphones and speakers • New toroidal transformer for studio-quiet operation and low magnetic leakage • 20 watts per channel, stereo • 6 headphone outs, each with volume control • Switches for two sets of speakers • Automatically switches to mono mode when right channel is not used • Overload and signal-present LED‘s for each channel • Ground lift, on-off switches; power-on indicator • Provision for remotely located volume controls • Standard 1/4” phone inputs • Provides balanced inputs with XLR connectors

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Features of the Furman SP-20AB:
• 20 watts per channel in stereo mode (requires load of 8 ohms) • Toroidal transformer for ultra-quiet performance • May be bridged for 30 watt mono operation (requires load of 16 ohms) • Front panel headphone jack with volume control • Ideal for small speakers or headphone system • Speaker on-off switch • Overload and signal-present LED’s for each channel • Power-on indicator • Ground lift switch • Provision for remotely located headphone volume controls

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Features of the Furman HDS-6:
• Every performer in a studio or live sound setting can have a personalized mix without any adjustments at the board • Perfect for use as a headphone system in the studio, plus drives powered monitors in live sound applications • Provides each musician with five volume controls: four monaural (for mixer channels or busses), plus one for an overall stereo mix or a stereo effects return • HDS-6 to HR-6 linking cables are included, as is a universal mic stand clamp

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Features of the Furman HR-6:
• Every performer in a studio or live sound setting can have a personalized mix without any adjustments at the board • Perfect for use as a headphone system in the studio, plus drives powered monitors in live sound applications • Provides each musician with five volume controls: four monaural (for mixer channels or busses), plus one for an overall stereo mix or a stereo effects return • HDS-6 to HR-6 linking cables are included, as is a universal mic stand clamp

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Features of the Furman HDS-16:
• Every artist in the studio or on stage can have a custom headphone/monitor mix without any adjustments at the board • Perfect for tracking, overdubbing, rehearsal sessions, and onstage monitor mixing • HDS-16 rackmount distribution system connects to the studio console and routes 8 mono and 4 stereo signals to HRM-16 remote mixing stations via a single multi-pair cable • HDS-16 provides ultra low distortion (less than .002%), low crosstalk, high dynamic range (greater than 105 dB) drive for the HRM-16's • All inputs are balanced; line outputs are balanced or single ended • Three year limited warranty

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Features of the Furman HRM-16:
• Every artist in the studio or on stage can have a custom headphone/monitor mix without any adjustments at the board • Perfect for tracking, overdubbing, rehearsal sessions, and onstage monitor mixing • Can either be attached to a mic stand or be set on a shelf or table, allowing headphone/monitor mixes to be created on the fly • Talkback system allows each HRM-16 mixer user to communicate with other users and the main mixing location • One 25 foot HDS-16 to HRM-16 linking cable is included with each HRM-16 unit, eliminating the need for a costly “console snake” • All inputs are balanced; line outputs are balanced or single ended • Three year limited warranty

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